{"product_id":"the-hear-no-evil-sessions-hannah-scott-tues-13-october-2026-7-30-9-30pm","title":"The Hear No Evil Sessions: Hannah Scott | Tues 13 October 2026 | 7:30 - 9.30PM","description":"\u003cp\u003e\u003cstrong\u003eTHE HEAR NO EVIL SESSIONS PRESENTS HANNAH SCOTT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"im\"\u003eWe transform our shop come bar into an intimate club style venue for these acoustic sessions.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“She reduces women and children to tears - in a good way…” The Guardian\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“…and grown men.” Tom Besford, English Folk Expo \u0026amp; Richard Haswell, Liverpool Philharmonic\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“This is beautiful.” Dermot O’Leary, BBC Radio 2\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Wonderful songwriting.” Seth Lakeman\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“She screams class but in the quietest way possible.” Folking.com\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Your music moved me to tears.” This is the refrain contemporary folk artist Hannah Scott regularly hears as she leaves the stage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe best stories make us feel deeply and in the 15 years she has been writing and\u003cbr\u003eperforming, Hannah has become an exceptional storyteller. Her music is shaped by\u003cbr\u003ehuman connections, with family, in all its chaos and glory, sitting at the heart of her work.\u003cbr\u003eHer lyrics are powerful and poignant, and her voice feels strangely familiar, though you\u003cbr\u003ecan’t quite put your finger on why. Her writing may be deeply personal but her music\u003cbr\u003ehas a universal appeal that goes beyond the melodies you catch yourself humming in\u003cbr\u003ethe days after listening to her songs.\u003cbr\u003e\u003cbr\u003eThe connection she builds with her audiences is most evident in the stories shared after\u003cbr\u003eher performances: the woman whose elderly mother lost a sibling in childhood and is\u003cbr\u003emoved to tears by Boy In The Frame; the young father who, upon hearing My Dad \u0026amp; I,\u003cbr\u003erealises he wants to spend more time with his small children; the adoptive parents who,\u003cbr\u003elike Hannah as a step-parent, may not have been the first person to hold their child, but\u003cbr\u003eLove You Like I Did. A deep-rooted desire for this connection has always been the\u003cbr\u003edriving force behind her songwriting and live performances.\u003cbr\u003e\u003cbr\u003eBorn in Suffolk and raised by an artist mother and an eccentric entertainer father, with\u003cbr\u003emusic going back three generations to her songwriting great-grandmother, creativity\u003cbr\u003ewas always destined to be an integral part of Hannah’s life. At the age of four, her father\u003cbr\u003ebought a second-hand piano for £70 from a friend in the pub and she didn’t look back,\u003cbr\u003efalling in love with both playing and listening to classical music. Picking up a guitar in\u003cbr\u003eher early teens as the influence of her peers and more contemporary music took hold,\u003cbr\u003eHannah taught herself some simple chords that would lay the foundation for her earliest\u003cbr\u003eattempts at songwriting.\u003cbr\u003e\u003cbr\u003eHannah’s career highlights include having her song No Gravity featured on the hit\u003cbr\u003einternational TV series Grey’s Anatomy, recording a live session on BBC Radio 2 with\u003cbr\u003eDermot O’Leary and opening for Madeleine Peyroux, performing to an audience of two\u003cbr\u003ethousand. She has also shared the stage with folk luminaries such as Seth Lakeman,\u003cbr\u003eCara Dillon and Fairport Convention and has performed at festivals including\u003cbr\u003eCambridge, Sidmouth and Manchester Folk. Equally at home in small venues, she\u003cbr\u003ethrives on the intimacy of performing in spaces where she can look audience members\u003cbr\u003ein the eye, and, of course, speak with them after the show.\u003cbr\u003e\u003cbr\u003eHannah is set to release her new EP, Threads, a follow-up to the widely praised 2024\u003cbr\u003ealbum Absence Of Doubt. It marks the first release she has both written and produced,\u003cbr\u003eworking alongside acclaimed engineer Adrian Hall (Tori Amos, Anna Calvi). Inspired by\u003cbr\u003efamily, nostalgia, grief, and a desire to change the rental market for the better, these\u003cbr\u003esongs embody an unwavering yearning for life, even in its darkest moments.\u003cbr\u003e“I’m sorry, but also not sorry,” Hannah replies to the audience member moved to tears,\u003cbr\u003eso pleased her songs have connected in just the way she hoped they would.\u003c\/p\u003e","brand":"Beer No Evil","offers":[{"title":"Default Title","offer_id":56254067310971,"sku":null,"price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/5289\/2579\/files\/HANNAHSCOTTPRODUCT_InstagramPost.png?v=1778934514","url":"https:\/\/beernoevil.co.uk\/products\/the-hear-no-evil-sessions-hannah-scott-tues-13-october-2026-7-30-9-30pm","provider":"Beer No Evil","version":"1.0","type":"link"}